Punk Archives

ART PUNK: CULTURCIDE ON POINT ZERO, TACKY’S POP PROPAGANDA DUBS (1987)

CULTURCIDE ALBUM REVIEW: “TACKY SOUVENIRS OF PRE-REVOLUTIONARY AMERICA” LP (SICKO #1, JANUARY 1987)

“The underlying aim is to produce music that successfully opposes the social system within which we are all immersed. To produce music that is a particular style is to invite the system to use your music for its own ends. We’ve seen that happen with punk music. But if you take the system’s own propaganda as your ‘style,’ it defeats that process. Dubs also make use of the massive conditioning of the population. Between today’s alienated individuals, no real dialogue exists…any non-mainstream attempts to communicate have to start from the zero point.” – Perry Webb/Mark Flood in SICKO #1 (January 1987)

Formed in 1980, experimental noise rock band Culturcide and their version of performance art converged with the early punk and underground music scenes. By 1987, the year SICKO magazine covered the release of “Tacky Souvenirs of Pre-Revolutionary America”– the band’s controversial, now classic, LP featuring comedic dubs of overplayed mass media songs–Perry Webb/Mark Flood had already created a distinct surreal/cut-up language of his own using sardonic humor and satire to create a new noise that opposed “the social system within which we are all immersed.”

Mark Flood: Gratest Hits is an artist interpretation/reflection spanning a 30-year history. The exhibition, which includes ephemera from Culturcide, is on display at the Contemporary Arts Museum Houston through Aug. 7, 2016.

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HYMNAL NO. 1 AND 2 (1981)

HYMNAL, a punk and hardcore fanzine originally headquartered in Houston, debuted in December 1981.

The first three issues were based on the Houston scene, after which the publication relocated to Austin. Its fourth and final issue was published in 1982, with featured coverage of Houston and Austin bands. The full run of Hymnal, Nos. 1-4, can be accessed in the private collection of Wild Dog Archives.

IMAGES COURTESY OF   WILD DOG ARCHIVES  .

IMAGES COURTESY OF WILD DOG ARCHIVES.

BEAT GENERATION MEETS PUNK: SAN FRANCISCO’S SEARCH & DESTROY (1977)

V. Vale’s inaugural issue of San Francisco punk zine, SEARCH & DESTROY, originally funded by beat poets Allen Ginsberg and Lawrence Ferlinghetti. (No. 1, 1977) takes its moniker from a Stooges song and features a “Basic Iggy Pop Bio”:

“Iggy Pop’s legend is one of the crucial cornerstones of rock & roll lore. It began when his Ann Arbor band, The Stooges, debuted on Halloween, 1967, chopping flower power down at the root.”

The full run, Nos. 1-11, can be accessed in the private collection of Wild Dog Archives.

ORIGINAL ZINE SCANNED COURTESY OF   WILD DOG ARCHIVES  .

ORIGINAL ZINE SCANNED COURTESY OF WILD DOG ARCHIVES.

TAKING INVENTORY (2012-2013)

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From only a few of the boxes found in the Wild Dog Archives we managed to log some 193 news-based countercultural and music publications, including early issues of SPACE CITY!ABRAXASHYMNALOVERTHROWREsearch, and a full run of V. Vale’s San Francisco, Beat-funded SEARCH & DESTROY, quite possibly our favorite punk zine next to our own Houston’s WILD DOG.